Ruth Daly, Animation Supervisor - Tau Films, has a wealth of experience and knowledge to share with students and professionals as a veteran of both traditional and CG animation. She began her career In 1996 as a traditional animator at Warner Bros Feature Animation, where she most notably worked on Brad Bird’s critically acclaimed The Iron Giant in 1998. Ruth then transitioned to CG in 2001 at Rhythm and Hues studios, where she worked her way up to a supervisory role over a period spanning twelve years. She was involved in an array of different feature films in varied styles and her credits included The Lion the Witch and the Wardrobe, Night at the Museum, and The Golden Compass which received an Academy Award for VFX in 2008.
Over the past few years she has been helping productions develop their animation talent by mentoring junior animators to prepare them for the rigors of production work. She played a central role in growing the animation teams in the Rhythm and Hues India and Malaysia facilities by training animators for production on many projects, including Ang Lee’s Award winning Life of Pi and Academy Award nominated Snow White and the Huntsman in 2013. Rhythm and Hues has been an industry pioneer in producing feature quality animation in Asia and Ruth has played a pivotal role in this effort.
CJ Sarachene, Animation Director, Tau Films, brings over 20 years of ﬁlm, television, and game production experience, and has used that experience to help train many animation artists. She began her career as a traditional animator working for various studios including Disney, MTV, Lifetime, and Nickelodeon. In 2001 she moved into digital animation and in 2003 joined the team at Rhythm & Hues Studios, working on projects including The Chronicles of Narnia, Night at the Museum, Evan Almighty and Alvin & the Chipmunks. In addition to being a lead animator, CJ Sarachene served as an animation supervisor on Land of the Lost and Hop.Across her animation career CJ has had the great fortune of working with many high proﬁle Award winning directors and artists including Ralph Bakshi, Emily Hubley, Bill Kroyer and Bill Westenhofer.
Senthil Velan, Senior Animator - Tau Films, was also a Senior Animator at the Oscar-winning studio, Rhythm &Hues, where he worked on several award-winning projects, including Life of Pi (2012). His recent animation credits also include his work in prominent Hollywood projects, such as, Night at the Museum: Battle of the Smithsonian (2009), The Mummy: Tomb of the Dragon Emperor (2008) and The Golden Compass (2007).
Senthil was one of the pioneering animation instructors at Rhythm & Hues University (RHU) where he trained animation apprentices at Rhythm & Hues Studios facilities in Hyderabad, Mumbai, and Kuala Lumpur for projects, such as, Yogi Bear (2010) and Alvin and the Chipmunks: The Squeakquel (2009).
Jacqueline Cooper has been creating imagery for film, TV, commercials, music videos, and live events for decades. Her clients include ILM (Industrial Light & Magic), Digital Domain, MPC, and Deluxe/Method Studios.
She has worked on numerous films such as: Jurassic World (2015), Harry Potter and the Deathly Hallows Part - 2 (2011), Iron Man 3 (2013), Sherlock Holmes: A Game of Shadows (2011), Tron: Legacy (2010) . She has also worked on music videos for Santana, Justin Timberlake, Toni Braxton, Jewel, and Lisa Marie Presley.
Randi Derakhshani is Head of 3D at Exceptional Minds, a digital arts school for young adults on the autism spectrum in Sherman Oaks, California. She also teaches 3D and visual effects at various colleges.
Randi has worked as a digital artist and technical director for games and movie projects with Gizmo Games, RJB Enterprises, and Sony Imageworks. Along with production work, Randi is also a published author for the 3ds Max and Autodesk training manuals, and works closely with Autodesk as an Autodesk Certified Instructor.
Andreas Jablonka is Compositing Supervisor at Tau Films where he leads a team of artists worldwide involved in VFX for feature films, commercials, and themed entertainment. His career in VFX, has involved working with prominent Hollywood productions and VFX studios in projects ranging from features, music videos, VR, and commercials. As a VFX supervisor, Andreas has overseen all aspects of a project -- from bidding to scheduling to preproduction, and on-set supervision to final post production approval.
Andreas has an M.A from The German Film School for Digital Production - Elstal, Germany.
Walt Jones is the overall creative lead for the computer graphics work at Tau Films. He has over 20 years of experience in production and design and has contributed to over a dozen feature films in the past decade alone, as well as numerous music videos and commercial projects. Walt has worked extensively with international teams throughout Asia, North America and Europe. He was nominated for Visual Effects Society awards for Life of Pi and Movie Park Germany’s The Lost Temple. Walt was part of the teams that won Academy Awards for their work on The Golden Compass in 2008 and Life of Pi in 2013.
Edward Dawson Taylor is currently working as a senior CG supervisor at Pure Imagination. He has been a Lead Software Architect for large multinational clients, as well as a Senior CG artist in movies, TV, commercials and live events (having worked for ILM, Disney and Digital Domain on Blockbusters like Jurassic World, The Lion King and Jungle Book).
Co-founder of successful world touring group The Sancho Plan, Edward loves to use cutting edge technology to create engaging and inspiring experiences, as well as beautiful world class imagery.
Jon Meier is a CG Supervisor at Tau Films, specializing in look development for creatures and environments. He leads the work of a global team of artists for feature films and themed entertainment. Jon has supervised lighting and environments on award-winning feature films, including Life of Pi (2012) and Happy Feet (2006) at Rhythm & Hues Studios.
Before joining Tau, Jon completed work at Sony Pictures Imageworks (SPI) on Hotel Transylvania 2 (2015) and at MPC for the feature film Jungle Book (2016), winner of the Oscar for Best Visual Effects in 2017.
Mark Allen is a Virtual Production Technician at Magnopus. He works directly with filmmakers on set to make their creative ideas for shots in film and in television programs a reality, through the use of cutting-edge, real-time game engine applications. He is committed to learning more from his professional work, as well as passing that information on to others.
With a MFA in Film Production, and a BFA in Computer Animation, Mark is currently combining technology and traditional filmmaking techniques as part of the Virtual Production team for the 2019 remake of The Lion King.
Dariush Derakhshani is a VFX and CG supervisor in Los Angeles and an award-winning CG generalist-lighter. He is a also a pipeline, lighting, and production consultant. He is the author of several 3ds Max and Maya books, including the best-selling series Introducing Maya—with over 13 editions since 2002 and translated into more than a dozen languages--and has been an educational resource around the world for 15 years.
Dariush has been an animator and supervisor on commercials and feature films for over 20 years at such places as Digital Domain, Pixomondo, Zoic Studios, Radium|ReelFX, Café FX, Rhythm and Hues, Sight Effects, and the hit show South Park. An ardent believer in the power of education, he has been teaching in a professional capacity since 1993--and specifically Maya and visual effects classes for the past fifteen years, as well as authoring video training for LinkedIn/Lynda, fxphd, and Pluralsight.
He earned his BA from Lehigh University in Architecture and Theatre, and his MFA in Film, TV and Computer Animation from the USC School of Cinematic Arts. He is an active member of the Visual Effects Society and has won a London Advertising Award for commercial effects, is a multiple recipient of the Telly and Addy Awards, has won the Bronze Plaque from the Columbus Film Festival, and is a proud VES Awards nominee.
Bradley Sick is a veteran modeler with over 17 years of experience in the visual effects industry, having worked as a modeling supervisor on television commercials and many feature films while at Rhythm & Hues Studios, including the Oscar-winning film, Life of Pi. He was also the modeling supervisor on the Lego Batman series and Peter Rabbit (2018).
Brad has a B.A. in Architecture from Rice University in Houston, Texas and and M.A. in Architecture from the University of California, Los Angeles (UCLA).
Keith Goldfarb is one of the three co-founders of Rhythm & Hues Studios as well as the chief architect for its proprietary software. While working at Robert Abel &Associates in production, and writing special software for custom applications, Keith and several co-workers decided to form Rhythm & Hues Studios in 1987. In addition, Keith grew up during the computer revolution and his intuitive knowledge has been exceptionally helpful in the foundation of the studio’s general purpose software.
Keith has a B.A. in Mathematics from the University of California, Los Angeles (UCLA) and an M.A. in Mathematics from the University of California, Berkeley (UC Berkeley).
Sue Lewak is a specialist in narrative, film adaptation, and science fiction. Her research and teaching interests include graphic fiction such as Yoko Kamio's transmedial manga series, Hana Yogi Dango (Boys Over Flowers). This manga has not only been adapted into anime and a live action television series as well as two live action films in Japan, but has also had a number of live action transnational adaptations: in Taiwan (Meteor Garden, 2001), in South Korea (Boys Over Flowers, 2009), and in China (Meteor Garden, 2018). She is also interested in adaptations of Bengali (India) literature such as Rabindranath Tagore's 1901 novella Nastanir and Satyajit Ray's 1964 independent film, Charulata, and Sarat Chandra Chattopadhyay's 1914 novella Parineeta and Pradeep Sarkar's 2005 eponymous Bollywood adaptation. Additional interests include visual effects blockbusters that were adapted from literary works such as Fritz Lang's Metropolis (1927), Stanley Kubrik's 2001: A Space Odyssey (1968), Ridley Scott's Blade Runner (1982), Ang Lee's Life of Pi (2012), and Gary Ross's The Hunger Games (2012).
Sue holds a Ph.D. in English Literature from the University of California, Los Angeles (UCLA), where she received a Teaching Excellence Award and two Outstanding Teaching Recognition Awards from the Department of English. In addition, she has an M.A. in Visual Anthropology (film and anthropology) from the University of Southern California (USC), an M.A. in English Literature (science fiction and fantasy) from CalState-Los Angeles, and a B.A. in English Literature (Phi Beta Kappa, cum laude) from Mount Holyoke College (South Hadley, Mass.).
Sam Clark has been involved with several global, post-production houses in a range of capacities and roles — Production Coordinator, CG Production Manager, On-Set Motion Capture Production Manager, and Visual Effects Data Manager. He has worked on a variety of Hollywood studio pipelines featuring proprietary and off-the-shelf tools for motion-picture and episodic-television projects. Sam was a member of the VFX post-production crew for the OSCAR®-winning motion picture, Life of Pi (2012).
Ming Qiu is currently a production coordinator at Tau Films, and sometimes makes cameo appearances as a pipeline developer. She has a B.S. in Machine Intelligence from Peking University, Beijing and an M.F.A. in Producing from The American Film Institute, Los Angeles (AFI).
Ming believes in love stories, greedy algorithms, and Confucius.
Mandeep Singh is the producer for all international aspects of Tau Films production. From 2009-2013, he managed production for Rhythm and Hues (R&H) Malaysia before leading the production management at R&H for over 15 films including the Academy Award winner, The Golden Compass. At R&H Malaysia, he supervised all production beginning with Alvin and the Chipmunks 2 (2009), and culminating in work on the Academy Award winning Life of Pi (2012). Mandeep plays a pivotal role in staffing and resource-planning for Tau Films’ international facilities.
Eriks Vitolins is an animator, developer and the Founder of RGB Notes , a cloud-based application for artists to communicate globally with professional media annotation tools. Eriks has a decade of professional visual effects experience as a former Lead Animator for Rhythm & Hues Studios (R&H) Animation Department. His work has contributed to many films including two OSCAR-winning features, Life of Pi (2013) and The Golden Compass (2007).
While at R&H, Eriks helped establish the groundbreaking ‘Animation Development Group’ (AnimDev) to assist the collaboration between the animation and other involved departments. As a key member of the AnimDev group, Eriks designed and developed tools, rigs, workflows and education in an effort improve artists’ efficiency for a number of tent-pole Hollywood projects including Snow White and the Huntsman (2013), Hunger Games (2012), The A-Team (2010), Night at the Museum: Battle of the Smithsonian (2009), and The Incredible Hulk (2008).
Shish Aikat has been involved in digital arts education since the late 1990s. He was a member of, and later ran, the Education and Global Learning department at Rhythm & Hues Studios (R&H) worldwide from 2003-2013. The primary object of the department was to train creative and technical artists in the art and science of VFX for over 50 Hollywood feature-film projects.
In addition, Shish was the Vice Principal of Exceptional Minds, a digital arts school for young adults on the autism spectrum in Sherman Oaks, California. He also taught as a Lecturer in the School of Film and Television (SFTV), Loyola Marymount University (LMU), Los Angeles, and in the Master of Professional Writing Program (MPW), University of Southern California (USC).
Shish was originally trained as a mechanical engineer at Jadavpur University, Kolkata (B.M.E.). He received his M.F.A. from the Division of Animation and Digital Arts, School of Cinematic Arts (SCA), University of Southern California (USC), where he was also a Nickelodeon Fellow. In addition, he has an M.A. in Communication Management from the Annenberg School of Communication and Journalism, USC.